Ceramic sculpture, a miracle created by the combination of soil and flames. The creator expresses their inner emotions through delicate and exquisite carving; The unique and dynamic posture of pottery sculpture always evokes a deep resonance in the viewer's heart. Shiwan Town in Foshan City is famous for its pottery sculptures. As early as the Ming and Qing dynasties, the ceramic industry in Shiwan Town began to flourish and became a pillar industry in the local area. After the establishment of the People's Republic of China, with the development of the economy and society, the manufacturing and artistic level of Shiwan pottery sculpture has been greatly improved. In 2006, the Shiwan pottery sculpture technique was approved by the State Council to be included in the first batch of national intangible cultural heritage list, and more and more people attach importance to the inheritance of intangible cultural heritage techniques. Nowadays, the team engaged in the production of Shiwan pottery sculpture is constantly growing, and young inheritor Wu Weiwei is one of the new generation forces. Her works are different from tradition, emitting the vitality of the times and youth. The inheritance path of Wu Weiwei, the inheritor of Shiwan pottery sculpture: Adhering to his original intention and dedicating himself to the inheritance of intangible cultural heritage. In Shiwan, Foshan, "Liu Shengji" is not only a pottery sculpture shop that began in the late Qing Dynasty, but also a nickname for the Liu family, who have inherited pottery sculpture skills to this day. The founder of "Liu Shengji", Liu Huisheng, started his career by making "Shangong" (also known as "Weisu") and enjoyed a great reputation at that time; Liu Huisheng's seven sons and daughters have all inherited the skills of their parents. Liu Huisheng's son, Liu Zuochao, pioneered the creation of pottery sculptures based on people in the market. Over the course of a hundred years of history, "Liu Shengji" has achieved a prosperous ceramic family through six generations of cultivation. Wu Weiwei, born into the family of pottery and sculpture known as Liu Shengji, has been with mud and pottery tools since childhood. Her grandfather is Liu Zemian, a flag figure of Shiwan Ceramics, a master of handicrafts in the Asia Pacific region, and a master of Chinese arts and crafts. Her mother is Liu Jianfen, a master of Chinese ceramic art. When she was a child, her mother often took her with her to create pottery, and she was deeply influenced from a young age. When Wu Weiwei couldn't sit still and wanted to make a fuss with her mother, she would call her over and say, "Come on, I'll teach you how to make rabbits and pandas." Recalling this childhood memories, Wu Weiwei's face unconsciously smiled, "Our childhood toys were mud. As long as my mother taught me how to play with mud, I could always focus on playing for a long time, and even forget the passage of time." Wu Weiwei (center) and her grandfather Liu Zemian (left) Mother Liu Jianfen (right), Wu Weiwei, has been influenced by art since childhood. As she grows older, her understanding and love for pottery sculpture continue to grow. During her high school years, while studying at Guangzhou Academy of Fine Arts Affiliated Middle School (referred to as "Guangmei Affiliated Middle School"), she had an idea - "I want to have a more multidimensional and three-dimensional understanding of ceramic art creation." Based on this goal, after graduating from high school, she worked hard and successfully passed the entrance exam to the Sculpture Department of Guangzhou Academy of Fine Arts. Through studying the theoretical knowledge of the school and practicing in the Shiwan pottery production area in Foshan, Wu Weiwei has become a ceramic artist who combines aesthetic theory with ceramic handicrafts. In Wu Weiwei's view, the art of pottery sculpture is endless. "Learning the techniques of pottery sculpture may be simple, but improving one's skills requires a lot of time to practice. It may take a lifetime to refine one's skills." According to the introduction, the production process of pottery sculpture is very complex, and if one needs to produce handmade pottery sculpture works