13 horses of Xu Beihong formed an arc in the largest circular hall of the China Art Museum, as if rushing towards the audience. The opening ceremony of the "Pentium Spirit - Xu Beihong's Chinese Painting Exhibition" was held in Beijing on the 20th, showcasing over 40 pieces of Xu Beihong's Chinese painting and calligraphy works from different periods. The "Spirit of Pentium - Xu Beihong's Chinese Painting Exhibition" officially opened on the 20th at the Chinese Art Museum. The picture shows 13 "horses" depicted by Xu Beihong arranged in an arc in the largest circular hall of the Chinese Art Museum, as if rushing towards the audience. Chen Xi, a photographer, saw 13 of Xu Beihong's "horses" running, resting, or siding with friends at the scene, full of vigor and vitality. In addition, there are animal images such as cats, geese, roosters, etc., which are also quite interesting. Wu Weishan, the director of the China Art Museum and vice chairman of the China Artists Association, said that Mr. Xu Beihong's horse has a unique character, which is unrestrained, surging forward, and inspiring. In the past, Mr. Xu Beihong had the ideal of "seeking the revival of art and coordinating with the great cause of national rejuvenation"; Today, his works continue to inspire the innovative and creative spirit of artists in the new era. The "Spirit of Pentium - Xu Beihong's Chinese Painting Exhibition" officially opened on the 20th at the China Art Museum. The picture shows the exhibition site. Shi Chunyang, Honorary Chairman of the Chinese Artists Association and Professor Jin Shangyi of the Central Academy of Fine Arts, pointed out that Mr. Xu Beihong was the first dean of the Central Academy of Fine Arts, and his artistic spirit is still a beacon for teachers and students of the Central Academy of Fine Arts today. At that time, Xu Beihong was limited by various material conditions and conducted a lot of exploratory research on locally produced paper in Guizhou, creating a batch of high-quality works on these paper. Another exhibition, "Starting from 'Xu Beihong's Guizhou Earth Paper' - Exhibition of New Experience Works in Chinese Art," which echoes the 'Spirit of Pentium - Xu Beihong's Chinese Painting Exhibition, "was also held at the same time and space. The former was created by Mr. Xu Beihong in the 1940s based on local conditions and materials; The latter is the current era, spanning over 80 years, where contemporary artists continue to showcase their intelligence and bold innovation in the use of ancient papermaking materials for intangible cultural heritage inheritance projects. The two exhibitions complement each other. The "Spirit of Pentium - Xu Beihong's Chinese Painting Exhibition" officially opened on the 20th at the China Art Museum. The picture shows the audience admiring Xu Beihong's classic works at the exhibition site. Shi Chunyang, the director of the Xu Beihong Memorial Hall and Xu Qingping, the son of Xu Beihong, recalled that his father's paintings had two characteristics: one was that he did not use new paper, and the other was that he did not use ink. The paper he used was made of rice paper that had been in use for decades, and most of it was made of Guizhou local paper, not only for horses, but also for his attempts to create new landscape paintings. It is reported that the exhibition is jointly organized by the China Art Museum and the Guizhou Provincial Department of Culture and Tourism, and will continue to be exhibited until August 29th. (New News Agency)