At present, the application for world heritage of the central axis in Beijing has entered a sprint stage. The application for World Heritage Protection of the central axis drives the retreat of key cultural relics and historical buildings, and strengthens the protection of cultural relics and the improvement of the surrounding environment, which has become an important path for the protection of the old city of Beijing and a vivid case of urban sustainable development. How to better promote the application for World Heritage Protection of the central axis? How to make the central axis live and truly become a part of citizens' cultural life? This year, many CPPCC members brought proposals on the application for World Heritage Protection of Beijing's central axis. ● song Weizu Realize the smooth walking of the ancient imperial road along the central axis of the south of the city Liang Sicheng, a famous architect, once said that Beijing's unique magnificent order was generated by the establishment of this central axis. Song Weizu, member of the Standing Committee of the Beijing Municipal Committee of the Chinese people's Political Consultative Conference, said that at present, the application for the world heritage of Beijing's central axis has entered a sprint stage. However, in terms of this "magnificent order", the central axis is not just a line, but a belt. The selection of heritage sites is not comprehensive and systematic, resulting in the fact that the central axis does not reflect the "magnificent order" of the capital. "The application for world heritage of the central axis should not only include the heritage sites on this axis, but also include the relevant heritage on the corridors on both sides of the central axis, which jointly constitute the 'magnificent order', such as the traditional time-honored commercial street in Dashilan, the guild hall in Nancheng, the former residence and theater of celebrities, traditional craft factories, etc. this can not only highlight the order characteristics of the central axis, but also deal with the problem of repeated declaration." Song Weizu said. In addition, song Weizu called for the smooth walking of the ancient imperial road along the central axis of the south of the city. In September 2019, the road overhaul and reconstruction project of Zhushikou overpass section of nanzhong axis road will be completed. "But so far, citizens can't really feel the central axis culture through the footpath." "I suggest removing the traffic barrier in front of the Zhushikou subway station, adding a pedestrian crossing line at the crossing of the ancient imperial Road, installing traffic lights at the intersection, and setting some time periods every day for tourists to walk through. People eager to cross Zhushikou street can still pass through the Street overpass, so as to realize the real connection of this historical ancient imperial road." Song Weizu said. ● Wei Chunrong Invite community residents to participate in the central axis "activation drama" Wei Chunrong, a member of the Municipal Committee of the Chinese people's Political Consultative Conference and a national first-class actor of the northern Kunqu Opera Theater, said that this year she had a "proposal on establishing a central axis to activate big plays and strengthen the integration of culture and tourism". Wei Chunrong believes that only by making the cultural heritage live, integrating it with the people's lives and attracting them to participate, can the central axis live, move and ring on a larger scale. "I suggest that Beijing should have an activated drama that comprehensively presents the cultural value of the central axis. It reproduces the magnificent appearance and historical changes of the architectural community through high-tech means such as lighting, dance beauty and AR; it integrates drama, opera, music, song and dance, excavates intangible cultural elements through rich artistic forms, and skillfully integrates with the central axis culture." She said that although the world heritage application has made an in-depth exploration and detailed interpretation of its historical and cultural values, how to transform it into the cultural pride of the public is still a challenging problem. "In addition to the strong alliance of various art troupes, residents of surrounding communities can also be invited to participate in some performances. Citizens and tourists can not only benefit from this and obtain sustainable income, but also enhance cultural self-confidence and influence, and give full play to the role of culture in leading fashion, educating people, serving society and promoting development." Specifically, the government should play an overall role and strengthen policy support and guidance. "Beijing should seize the opportunity of applying for the world heritage of the central axis, pay attention to the active identification and in-depth excavation of its own history and culture, and improve the awareness and reputation of Beijing's customs. All these require the government to provide strong support and guarantee, coordinate scattered resources, formulate relevant support and incentive policies, and cooperate with various art troupes and non-governmental organizations, so as to truly bring out the best in culture, tourism and business And form a good situation of sustainable development. " Secondly, we should make rational and appropriate use of heritage. Wei Chunrong said that you can choose to perform in the ancient buildings. The material heritage and intangible heritage collide with each other to fully display the beauty of Chinese culture and realize the effective integration of tourism resources. Cooperate with the repertoire, carry out themed atmosphere layout according to local conditions, and encourage the use of surrounding resources to build a characteristic culture and benefit the people base, so as to drive the development of the area and benefit the people. "We can also actively promote the promotion driven by performing arts, film and television, in line with the current trend of young people, and fully show the inclusive and diversified charm of the ancient city of Beijing. We can develop immersive experiential cultural consumption projects such as' live broadcasting ',' cloud interaction ', etc. We can actively support the development of night tours, cultural sites, light carvings, light shows and other products, accelerate the realization of the new vitality of the old city and comprehensively improve the quality of the central axis Historical appeal and continuous and complete cultural atmosphere. " Wei Chunrong said. ● Chen bailing "Chinese sacred tree" and "Sun Bird" sculptures are built on the central axis Chen bailing, member of the Municipal Committee of the Chinese people's Political Consultative Conference and director of the research department of the Central Committee of the democratic construction of the people's Republic of China, brought the proposal on Establishing "Chinese sacred tree" and "Sun Bird" sculptures symbolizing the source of culture on the central axis of Beijing. In June 2010, Zhang Shiyuan, vice president of the Central Academy of painting of the people's construction of the people's Republic of China, verified the antler sacrificial utensils unearthed in the mountaintop cave people sacrificial site in Beijing Zhoukoudian site museum. The symbol pattern on it is "sun and birds", which further determines the cultural source of the Chinese nation. In August 2011, at the Institute of Vertebrate Paleontology and Paleoanthropology, Chinese Academy of Sciences, Zhang Shiyuan verified that the pattern of 25000 year old ancient humans carved on sacrificial bones unearthed in Dongfang Square, Wangfujing, Beijing is the pattern of "Chinese sacred tree". "The symbol pattern of 'Chinese sacred tree' not only has the tree body, tree top, tree root, horizon, but also the orientation. It has the same orientation as the central axis of the ancient city of Beijing, belonging to the northwest and Southeast." Chen bailing introduced that in ancient Chinese characters, the Chinese characters "Hua" and "flower" and "tree" are false, which belong to the same cultural concept. The relevant contents in the book of mountains and seas and the unearthed giant bronze sacred tree in Sanxingdui, Chengdu, Sichuan all illustrate the ancestors' worship of the sacred tree. In addition, the northwest orientation of the central axis of Beijing corresponds to the star culture of the Big Dipper, which is in the same line with the culture of the cave people at the top of the mountain and the sacrificial culture of Wangfujing Oriental square. She believes that the source culture of the ancient city of Beijing is unique, and the integration of the central axis and the source culture will make the cultural system of the Chinese nation live. Chen bailing suggested that the "Chinese sacred tree" and "Sun Bird" sculptures symbolizing the endless and prosperous Chinese nation should be established on the central axis of Beijing. The specific location can be considered to be built in the north of Yongding gate and the south of overpass. The position between the temple of heaven and the temple of agriculture is more appropriate. She also suggested that the concepts of Beijing central axis, Chinese source culture and astrological culture should be organically combined to make the cultural relics collected in the museum, the heritage displayed on the vast land and the words written in ancient books live, so as to further enhance cultural self-confidence and build a cultural power. (outlook new era)