These days, drama is very busy. In Wuzhen, drama can throw people high, but it can catch them steadily - in addition to the "star studded" presidium and performance lineup, the guests sitting in the audience are also cultural celebrities and stars. Everyone speaks for the drama on different occasions, Just as the torrent of thousands of thoughts written by writer Liu Zhenyun finally converged into the famous saying "one sentence is worth 10000 sentences". Drama and variety show are both sides of the same river Wuzhen Drama Festival has been absent for a year. This year, half of the sky of the international plate still collapses, but why do you come back? Screenwriter Shi Hang said, "no one thinks she shouldn't come back, just like plants. No one asks her why you bloom. This is the power of nature. Everyone's wish becomes a wish, and Wuzhen comes." in his opinion, "last year was like a silent period and a charging period, and this year's return has a very important part, which was born out of drama new life and Talk show Conference What drama can do for variety shows, variety shows can also do for drama. This is not the upstream and downstream of the disdain chain, but the one side and the other side of a river, which is the attention of the audience. The last people and works left in the variety show can be recognized after how many days of audition, which has its reason and value. And the reinterpretation of classics has always been the same , a work, this year is ice, next year is water, and the next year is steam, which makes everyone very curious. " Although he does not directly participate in the selection of plays, in his view, the art director system is like "your eyes are your eyes, and the world is a complete world", "If you look at the world with triple filters and quadruple sunglasses, it will show a kind of appearance, but that is not true. Therefore, a drama selector must be 360 ° and have no dead angle. He can see that there is a connection between different types of dramas. Everyone can see the difference, but not everyone can see the connection. Wuzhen Drama Festival is not a flower bed, but a plant Garden. Therefore, each session has unexpected surprises and inevitable sighs. After watching it, each of us can make hindsight and say that some plays should not come or why they can be selected, but it requires the person who selects the plays to have foresight in advance and make efforts to stare at all the possibilities in the world. In fact, it is very difficult. " I love reading the implication and implication in the script Liu Zhenyun, a writer who claims he doesn't understand drama, has experienced stage adaptation of two works this year: one sentence is worth 10000 sentences and I'm not Pan Jinlian, "I learned a lot as the author of the novel when I adapted the drama. At first, I thought it was impossible to adapt. Later, when I rehearsed, they didn't let me go and said I didn't understand, which added to the confusion. When I first saw the premiere in the theater, I found that the structure of the drama was completely different from that of the novel. There were many restrictions on the drama, and an excellent dramatist must be able to open in a limited space Open up unlimited space and bring artistic conception beyond the stage. " In life, Liu Zhenyun loves to read plays. "Shakespeare and Gogol, I was reading Pinter's works not long ago. What I learned most about these works is the lines, which are full of overtones and overtones. The script is not the same as the drama. If the director's level is not high, it's better to read the script." at present, Liu Zhenyun's another novel, I'm not Pan Jinlian In the drama adaptation, "the creative method of this time is different from that of one sentence top 10000 sentences, but the only thing is that the crew still doesn't let him see it. However, for the author, the real creation is when he hasn't written it." The theatrical ideal is always shining here Meng Jinghui, as the art director, is the "eye" of this year's invited dramas. From seeing to selecting and making a trip, it is a thankless job, because someone will always let the art director "pay the bill" for his preferences. Foreign dramas can't make a trip. In Meng Jinghui's view, this is just an opportunity for domestic creators, "Whether you are young or mature, you are not simply required in Wuzhen, and your professional aesthetic vision is different. In the past two years, foreign dramas, especially in Europe, have shown a blowout creative state, and there must be regret for the lack of foreign dramas, but since you can't come, Wuzhen is a habitat for Chinese Dramatists." Since 2013, the 8-year-old Wuzhen Drama Festival has become more than an IP in Meng Jinghui's eyes, "She contains an accumulated strength, creativity, imagination and lifestyle. Wuzhen is an overall atmosphere. It is unrealistic to say that she is like a dream. The works you see and all your feelings, we used to watch together here, but now we play together and feel together. This has become a place where we can perceive, communicate and think. Up to now, we have not done anything for her The drama festival sets a so-called direction, that is, diversification, professionalism, internationalization and modernity. Everything is not in a hurry and slowly, but the only thing we need is strength. Wuzhen is a dream. Here, people engaged in drama can get attention and respect, produce a love for themselves, meet many friends, connect with each other, have drama communication and treat themselves You can also have a clear judgment, and a person's growth is completed. Everything is so appropriate, and your crazy drama ideal is always shining. " (outlook new era)